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to link to an entry, just add the date, as in http://www.otherlanguages.org/#2002august6th

March 20th; Mexican lunch with Mystery Friend 2. Jolene the Labrador/Alsation mongrel is tied to a leg of our table outdoors on the sunny street. A kind waitress brings a bowl of water for Jolene, and Erik drops by. At home the almost complete kitchen scales quietly bide their time.
March 19th; Day makes serious effort at sunshine from 9am to 5pm. Some frustration not getting the damn coupon code for the e-text sorted out. The Germans say I can call them, but every time I phone throughout the day, no-one answers. Just like yesterday. I must repeat my experiment of a fortnight ago with cooking spaghetti in my electric kettle, since that went quite well. The lomtalanitas starts in this district this evening, and the pavements begin to fill up with the utter junk people can throw out of their flats for a day or two when a "lommy" is announced. Mysterious heaps of folded cardboard, broken chairs, smashed glass, and random slabs of chipboard appear, along with fat Gypsies guarding their beach-combed treasure.

March 18th; Finish 'De Imaginibus' {'On Images'} by Thabit Ibn Qurra, translated into English by Christopher Warnock. Though pleasantly slim, with notes and commentary from Warnock on each section, much shorter than expected and leaves almost all its astrological underpinnings assumed. Apart from page 32 being page 31 printed a second time, and a shortage of diagrams, fairly well laid out.
March 17th; Up early for haircut. Later in day pick up Jolene, an ex-stray crossed-Alsation bitch, from Memory Eve. Jolene has to be the most nervous dog I've ever met. She refuses to get on three trams in a row, flattening herself to the ground so I cannot pick her up - apparently it's the beeping noise which reminds her of some dark episode in her past, since she is also frightened to get into my lift which makes the same sound. She constantly needs love and reassurance, and repeatedly assumes the cowering, submissive posture as if anticipating a beating. I seem a bit ill, but I am sure it will pass.

March 16th; Watch a TV series with Dorina: 'The Pervert's Guide to Cinema' narrated by Slavoj Zizek, Britain's latest favourite funny foreign intellectual. Zizek steers clear of Marx, but sticks close to Freud with his entertaining ramblings about various trendy films past and present. Hitchcock is central, of course, as are Chaplin, Kubrick, Disney, Tarkovsky, Lynch. When he excitedly declaims to camera lines like "We are now in the Lynchian universe" I find myself falling asleep though. With the whole of cinema to range over in search of supporting examples, it is hard to imagine any thesis that could not be made to sound plausible. And something about Freudian interpretation gives itself licence to say anything and be committed to nothing. Zizek at one point enthusiastically describes how we all dread the living father and all want to see fathers dead, knowing full well that if some viewers protested that, no, they actually quite liked their fathers alive, Zizek would simply rephrase his claim to place it beyond refutation. Much of this faux-shocking stuff that is meant to provoke is what makes him fun. Kubrick's orgy scene from 'Eyes Wide Shut' proves the poverty of male sexuality; filmgoing is like staring down the bowl of the lav waiting for horrid stuff to back up from the subconscious; flowerbeds are lewd scenes of plants flaunting their genitalia to passing insects, and so on. Amusing, also, to see Slavoj burbling away on a boat on the lake from 'The Birds', in the cellar from 'Psycho', in the sitting room from 'Blue Velvet', on Gene Hackman's hotel bedroom balcony from 'The Conversation'.
March 15th; Finish the book of ideas in novel form that Martin kindly gave me, 'Lila ', by the same Robert Pirsig who wrote the backpacker's bible 'Zen and the Art of Motorcycle Maintenance' a couple of decades earlier. Not having read more than 20 pages of 'Motorcycle Maintenance' I relied on Pirsig's claim that this is the more important book. The narrator, who still has a Greek name, is steering a small boat down canals and rivers of the eastern states of the US, on the way to the sea at New York, where he is going to carry on south towards the sun. On the way he meets someone called Lila in a bar, and, against the advice of a male acquaintance, lets her hitch a ride on his boat for a day or two. The story skilfully cuts in and out of their experiences on the waterways of America and the narrator's internal thoughts about anthropology, philosophy, history - all part of an ambitious attempt to fuse metaphysics and ethics. At first I couldn't quite place what seemed somehow familiar about the tone of voice, some of the same impatience as Debord but also some of the same charming confidence and apparent openness of outlook. Then I saw Pirsig was born within a couple of years of my mother, and something of their early beatnik outlook jumped into focus. Young enough to be part of the post-World-War-Two mood of new beginnings in the 1950s and 60s, but just old enough to have been formed in childhood by the earlier post-World-War-One mood of new beginnings of the 1920s and 30s. Like Debord, this is also a highly readable text made up of a string of interesting assertions also, though differently from Debord, disguised as an argument. Pirsig gives us two main ideas in the book. The first is that "Plains English", an American vernacular of very simple, direct sentences without adorning adverbs and so on, is actually something that came into American English from the native Indian tribes. Pirsig recalls seeing cowboys-&-indians movies where both sides are speaking simple, chiselled sentences of honour and conciseness and credits this to the Navaho, Cree, Siouxse et al. This is not unlike one of my mother's often stimulating and clever guesses that seemed to open new doors for discussion, but that she rarely paused to re-examine. What makes this a bit worrying for Pirsig's book is that several far more plausible explanations offer themselves. It never occurs to him that the thirteen colonies being largely founded by nonconformists from the British provinces, most of whom had been denied formal educations on religious grounds, are going to straight away have a simpler form of speech. On top of this, the presence of non-English-speakers on the East Coast in 1650, 1700, 1750 like Swedes, Dutch speakers in what was recently New Amsterdam, many German-speaking colonists, is going to further simplify the English everyone used as a lingua franca. Why bring in the Indians at all? And if you do bring them in, what gives Pirsig the idea that native American languages are plain, simple and devoid of "curlecues" as he puts it? Never having learned one to an advanced level, most likely, not that this makes Pirsig shy about dropping names like Benjamin Lee Whorf, who did bother to learn Hopi. A couple of respectful mentions of Margaret Mead and the Samoa she misdescribed further reveals the usual American offhandedness about the value of learning someone's language quite well {as Mead didn't} before you pontificate about their culture. In fact, the complexity of native American languages is notorious among linguists, but in a foreign language like English the Blackfoot or whoever are obviously going to express themselves simply as most 2nd-language speakers have to. They don't know enough words or expressions to speak with subtlety in the white man's tongue, simplified enough as that already was.
This already should warn us about Pirsig's more interesting suggestion, that we can give levels of value to different levels of organisation: material, biological, social, and intellectual. With admirable boldness, he sets out to dissolve metaphysics into ethics, unaware he has rediscovered a fairly well-trodden path. Not unlike Hegel's historical forces sacrificing individuals for the sake of higher forms such as nation states, Pirsig says what is right on the social level is often wrong on the biological level and vice versa. This intriguing move allows him to remain scathing about Victorians {who he believes never spoke simply} and so himself remain part of the non-hypocritical 20th-century moral relativism he likes, while at the same time sneaking back into his thinking some of the heirarchical moral imperatives he so loathes the "Victorians" for. It is an interesting word for him, like "aristocratic", and he applies both sweepingly {the word 'Victorian' occurs eight times on one page}. A couple of mentions of the First World War help to explain this. He casually refers to the Great War as a barbaric slaughter of a generation etc etc, both explaining how horrible the Victorians were as people, and showing where their "attitudes" inevitably lead. This is High 1930s thinking, and books like the one I finished a couple of days ago reveal just how misleading it is, and how much of a grip on our imaginations it still has. This received image of World War One is licence in the minds of people from Pirsig's generation and since to dismiss the entire century before 1914 {or even dismiss all history} as decadent, stiff, & morally sick. Talk among adults as you grow up in the 1930s of the all-too-recent horrors of the trenches fuse with strangely remote sepia photographs of people in rigid, unsmiling poses and impractical-looking clothing. Together this mixture of emotional remoteness & uncomfortable closeness produce for people of that decade a just-escaped Dark Age against which one defines one's own ideas. It never strikes you that everyone looks serious & formal when camera shutter speeds are slow and photography is an expensive service for special occasions. The weirdness of his slant emerges when Pirsig contrasts the plain speech of the Plains Indians to what he calls European aristocratic style, when in fact codes of honour, simplicity, and frank speech are very prevalant among the aristocrats he's never met but believes he knows all about. Of course, it's bourgeois people who speak elaborately. Bizarrely, he even claims the 19th century was a non-intellectual era. Beguiling as his set of categories {material, biological, social, intellectual} is, he does not explain when it is acceptable for a "lower" sense of "quality" to take precedence over a "higher", and in fact avoids the hard questions {such as ethical dilemmas} altogether. He proclaims that lots of traditional philosophical discussions have been dissolved out, but few readers familiar with those problems will agree.
As his female boat guest goes insane {a common manoeuvre among male novelists who get stuck depicting a female character} we get some memories of Pirsig's time in an asylum and one last overplayed hunch, that Lila's "religion of one" is just as valid as the bigger religions, which are "just as mad". The idea that a priest gamely proclaiming the Catholic host to be literally the flesh of Christ is in the same category as his female character claiming her doll is a live baby is self-evidently daft. Plenty of anthropologists Pirsig should have read show that however odd religious beliefs are to outsiders, they are carefully bracketed in that culture, and do not interfere with daily life in the same way mad people's odd beliefs do. Plains American common sense should also tell Pirsig that he is worried about what nutty Lila might do on his boat as she talks to her doll and describes "going to the island" precisely because he knows deep down that hers is a case very different from a priest saying the wafer is someone's flesh. Would he be equally worried for his own or his guest's safety if an average priest was hitching a ride on his boat? Of course not. We don't seriously think that the priest is unlikely to wander off and forget his way home because his strange beliefs about transubstantiation are shared by people in the community where he lives. Nor does that priest need support from fellow believers in the sanctity of Mass to successfully cook himself dinner or rewire one of his plugs without anyone worrying for his safety. Lila is finally whisked off, away from the boat, freeing Pirsig's narrator character from his very sensible worries about her. Her disappearance also frees Pirsig from his quiet struggle to rebrand Victorian morality as both hip and his, so the book can end.

March 14th; Finish Martin's copy of 'Society of the Spectacle' by Guy Debord, the 1968 Situationist tract that formed the call to action for at least some of the students in the Paris 'events' of that year, as they were drolly called in France. Debord refines the standard Frankurt School Marxist line that our whole culture - the 'media' - is now the tool advanced capitalism uses to separate us from our own lives. In brief, it could be summed up as saying that not religion, but television, is the opium of the masses. The Frankfurt idea is that advertising, low-brow newspapers, radio, TV, what we now in Britain call 'celebrity culture', are all a kind of hall of mirrors helping capitalism to control us. What does Debord add to this? Not much, though he trenchantly accuses both Soviet Russia and Maoist China of being part of the same spectacle of digression & deception. This is a highly readable text made up of short and long numbered paragraphs, a good way as Wittgenstein and many others found of disguising a string of interesting assertions as an argument. Somehow numbered scraps of text look important and rigorous, as if it's already clear that future commentators will need a way to identify each jewel-like statement they put under their critical lens. Portentous lines like "A critique seeking to go beyond the spectacle must know how to wait." or "...they cannot set themselves any lesser task if they wish to be recognised and to recognise themselves in a world of their own making." give us the rousing feeling this is the product of analytical clarity on matters of urgent importance without ever telling us quite how. Only by squinting closely at some of the detail {he swoops in and out of historical sections with impressive breeziness & elan} can you see how unsupported the whole edifice is.
Just glance at Darwin, and we have an alternative view of the 'spectacle'. The spectacle might, like overeating, be a self-reinforcing web of deception spun by no-one in particular, not necessarily benefitting a certain class. Debord comes close to comparing it to an organism without making the final step because that final step would deindustrialise and declass Marxism. Marxism's obsession with factories makes it one of the last solid monuments to the era of Big Shed manufacturing. A social organism like a city, or like today's mass media, might benefit all parties to some extent and survive and grow simply because we find it harder to see its costs. Despite the preference for stylish handwaving instead of evidence, this is an entertaining book with flashes of insight. A section about theories of historical time is a bit dull, but for the true believer it helps give him that feeling that Debord has checked all sections of his theoretical structure and it all fits together brilliantly. Perhaps some Frankfurt School writings are not describing only capital but also Kapital? Along with the mass media whose manipulative power it so obviously envies, Marxism itself rather shimmers and hovers "above our everyday lives", deluding each new generation, "able to seamlessly absorb each new event or critique" into its "spaceless, timeless" spectacle of theory.
March 13th; Feeble attempts at sunshine. Over afternoon green tea, look at some sociology of religion with Dorina - Pink Dandelion is an academic who writes about Quakers. By night, make second batch of lemon-and-ginger angel cakes, burning them slightly.

March 12th; Get home-made kitchen scales to the point where the pans hang properly and it's usable. Get central frame of bookcase upright.
Finally, someone captures what I feel about the characterless novels, charmless pomposity, and intellectual shallowness of the prewar Russian emigree girl still mysteriously venerated by the American hard-of-thinking. Lovely piece by Anthony Daniels sums up the derivative "philosopher" Ayn Rand. "In her expository writings, Rand’s style resembles that of Stalin. It is more catechism than argument, and bores into you in the manner of a drill. She has a habit of quoting herself as independent verification of what she says; reading her is like being cornered at a party by a man, intelligent but dull, who is determined to prove to you that right is on his side in the property dispute upon which he is now engaged and will omit no detail."
March 11th; Outrageous. Snowing again. I take a little set of online tests to see whether my brain is more masculine or feminine. I score high on both styles, coming out exactly 50/50. So that's where my superhuman essence comes from.

March 10th; 2nd philosophy talk about informal logic with Martin. Then to pub quiz, where our team do not come 4th last, but due to influx of fresh talent {Zsuzsa and Mobile-Network Rob} we do better. 3rd place procures us each a miniature bottle of Bailey's Irish cream. Earlier in day finish an interesting book borrowed from Jeremy 2. 'Mud, Blood, and Poppycock' by Gordon Corrigan is that very unusual thing: a book which is readable, well-argued with plenty of evidence, and has a surprising, even startling, claim. This is a new revisionist history of Britain's experience of World War One. Corrigan builds a very convincing case that 1) Britain needed to fight the First World War, 2) lost far fewer men in battle than France or Germany, 3) far from being senseless slaughter, British casualties during battles like the Somme and Passchendaele were the same proportionately as in the Normandy landings in World War Two and were unavoidable battles forced by the need to take pressure off French forces struggling with mutinies, 4) British officers were not hidebound traditionalists but learned fast and were very innovative, ahead of all the other countries in tank warfare and use of aircraft, 5) Army generals and other officers were not safely out of fire but spent a lot of time, perhaps too much time, touring the front-line trenches meeting the men, 6) The perception of heavy casualties was due to volunteer regiments being hastily recruited from large numbers of men from single towns or factories in the early months so concentrating losses in tight communities instead of spread across the country as armies worldwide learned to do later, 7) British soldiers were not in the trenches for weeks on end, but were carefully rotated, spending only short periods {3 or 4 days} in the firing line at the front, with longer periods either resting or stationed in safer positions further back each month.
This last point was the biggest surprise for me, given the popular picture we have of The Great War as an unending misery of mud-filled trenches, shell shock, rats & frostbite. Corrigan gives figures for five battalions showing how they spent each day of the four Januarys of 1915, 1916, 1917, and 1918. He writes "...it is unusual to find any battalion spending more than four or five days a month continuously in the firing line." In January 1917, for example, none of those five battalions spent a total of even one week in the trenches, and that's adding together time in the firing line at the front and time in safer support trenches behind the front. In January 1915 two battalions spent 13 days that month in the trenches {the other three were 7 days, 9 days, and 7 days} but for 1916, 1917, and 1918 these five battalions on average spent less than a week in the trenches in the month of January. Furthermore, not all that time in the trenches was in the firing line. Four of those five battalions never spent longer than two days continuously at the front under fire in those four months, and usually only two such high-pressure two-day periods at the front in each month. 3/4 to 7/8 of the men's time was away from fire behind the front. This is not the impression I {or anyone else, I reckon} has ever received from films, novels, and poems about the horrors of the Great War. Also, many of the darkest anecdotes about that war come from the French and German armies, which neglected to rotate men as carefully as the British, and so did leave exhausted soldiers in the line of fire for weeks or even months. Corrigan says this is precisely why both French and German forces suffered serious morale problems and mutinies by soldiers against their officers. Lloyd George emerges very badly from Corrigan's narrative, constantly interfering, extending the war by scheming behind the backs of effective officers, he and Churchill wasting lives and munitions on impractical schemes like the attack on Gallipoli and reinforcements for Italy. General Haig emerges well.
Perhaps the most suspect thing about the current consensus of the war as a senseless "murder of a generation" is that the people who lived through it, as Corrigan points out, did not see it that way. Throughout the 1920s, the Great War was proudly seen in Britain as having been necessary, well led, difficult but important and worthwhile. Current myths about World War One really make up an early revisionist interpretation which began to take hold in the appeasement era of the 1930s among the children of the 1914-18 generation. Here's an interesting paragraph about how the British army with its frequent rotation of men kept morale high and suffered no mutinies while the French army saw a massive collapse of morale which almost lost the war. "As conscripts [French] pay was derisory, their rations were bad, and their welfare facilities almost non-existent. In some units there had been no leave for twelve months, and for those fortunate few who did manage to obtain leave, arrangements to get them home were regarded by the French staff as a very low priority. The French army was far more egalitarian than the British, and was {almost} a meritocracy; but many British officers commented with surprise that while French officers led their men in action most gallantly, once the battle was over the officers decamped and left the men to their own devices. British officers had it drummed into them that the welfare of their men was one of their major responsibilities; they organised football matches, set up canteens, administered leave, laid on band concerts, ran theatricals, held gymkhanas and inspected the men's billets and meals regularly. It has been suggested that it was the social difference between officer and soldier in the British army that allowed officers to be in close touch with their men's off-duty activities without the risk of undue familiarity; a contrasting situation to that of the French, whose officers were far better educated professionally than were the British, but who came from the same social class as many of their men. Whatever the reasons, the French army was ripe for what happened." What happened was collapse of morale, mass desertion and mutiny - the real reason British soldiers had to fight the Somme to take German pressure off the collapsing French army, despite the deep misgivings of British officers about fighting that battle then. Fascinating - how much else of the history we think we know is dangerously distorted myth?
March 9th; Philosophy talk about being sceptical about one's own existence. Not sure if I was there, but Martin & Henry turned up.

March 8th; Dinner with Dorina, whose quote of the week translates as "The camper van is the highest achievement of humanity."
March 7th; In very junior role help prepare impressive dinner at Martin's. The finale is a pudding of chocolate, cream, olive oil, and flaky salt. Random quotes of the day: {of Heathrow Terminal 5} "It's like the future. It's beautiful.""Bacon is basically a delivery mechanism for salt." Also a memorable anecdote about a vet student who was drawing fluid off a foal, forgot he'd left the tap open, left the room, and so drained the poor baby horse dead. A bit like that gloomy blood-transfusion scene in 'The Abominable Dr Phibes'.

March 6th; Bitter cold wind. Get sad. Go to OBI home-improvements warehouse. Mistake: get sadder and start sending people nasty text messages.
March 5th; Go to mobile-phone showroom of Pannon, where a sweet girl at quarter to 11 tells me my balance is 85 forints in the red. Strange, since I think the connection should be cut off as soon as my pre-paid 5 gigabytes finishes. However, they once said that it can run for another half hour or so because the system is slow to catch up with my balance. All right then. I pay her 6,500 forints, and she says the 5 gigabytes is ready to use. I go home. At home I cannot connect to the internet. I go back to WestEndCity shopping centre to sort this out. Another well-meaning girl investigates, and puts me on the phone to someone. He tells me that actually I owe more than four thousand forints to Pannon. I say this is unacceptable, since Pannon's moment to tell me this was 10.45am this morning, not half an hour after I pay in some money. Furthermore, I never agreed to be billed like that. The whole point of paying ahead is to not go into debt - if the company does not cut me off once the 5 gigabytes is used up that should be their problem, not mine. The man at the other end of the phone keeps saying he understands, I reply if he understands then his role is to sort out my problem, he says he must abide by company rules, I point out to him he has no integrity if he accepts a wage for following rules that are dishonest. The lad down the phone seems almost in tears by the time he tells me I can "ask" for my case to be considered if I write to some e-mail address. Extraordinary - as if I have been a naughty customer and must request an exception be made for my bad behaviour. I tell him to send the e-mail himself since he is getting a wage to be there and I'm paying it, then I leave the showroom and go back to Vodafone on the next floor of the shopping centre.
If anyone has experienced the same sneaky behaviour from Pannon, contact me on markgriffith 'at' yahoo.com - it seems plain that their software is designed to wait until a customer has paid some money in before revealing the size of the made-up extra charges they want to levy on people they call their "pre-paid customers". Given that my service got cut off yesterday evening, it really isn't credible that it showed me 85 forints in debt for the next eleven, twelve hours, then - within minutes of me paying in 25 pounds - suddenly realises that, goodness!, it should have mentioned I owe another 20 quid. So transparent. It clearly infuriates Pannon that they have any customers at all who don't wish to run up the open-ended bills phone companies like to feed off. They obviously hate the idea of people paying fixed amounts in advance, so being able to control how much they give the phone leeches. This must be why Pannon deliberately sabotage their own pre-paid service and slyly turn it into a way for customers to run up a debt, like the good old days of telephony. Of course, I never got Pannon's promised warning that I had one gigabyte left, and I didn't get the more important warning message that I had used up five gigabytes, nor any warning that I was about to be charged because the service would stay open. Pathetically devious business model of the classic Hungarian kind.
I wish I could reveal that the visit to Vodafone went smoothly, but in fact it takes two visits, albeit speaking to two quite charming and helpful girls, and the rest of my Friday, to get the Vodafone service working on both the Apple and the PC laptops. On the day's fourth visit to a mobile-telephone showroom, I bump into Mary, anxious because she has been cut off without explanation and has to go to the airport to catch a flight in an hour. Vodafone at least seem to understand what 'pre-paid' means, but when I leave them, Mary is still trying to sort out her problem.

March 4th; Up late to accomplish stuff, then, without warning, internet runs out.
March 3rd; With Dorina to see 5-minute slide-show talks at the Ignite event.

March 2nd; With Henry to philosophy talk.
March 1st; "I am Vladimir. I crush you."


Recent weblog entries continued:

Who can translate the next 300 words into Korean or Hindi? Contact me and there will be revelry.

Languages dying out each week - who cares?

We do - otherlanguages.org is gradually building a reference resource for over five thousand linguistic minorities and stateless languages worldwide.

Thousands of unique language communities are becoming extinct. Out of the world's five to six thousand languages, we hardly know what we're losing, what literatures, philosophies, ways of thinking, are disappearing right now.

So?

We may soon regret the extinction of thousands of entire linguistic cultures even more than we regret the needless extinction of many animals and plants.

The planet is increasingly dominated by a handful of major-language monocultures like Mandarin Chinese, Hindi, Arabic, Indonesian, Urdu, Spanish, Portuguese, English, Swahili, Russian, Cantonese Chinese, Japanese, Bengali - all beautiful and fascinating languages.

But so are the 5,000 others.

These are groups of people?

Linguistic minorities are communities of ordinary people whose native tongue is not their country's main official language. Swedish speakers in Finland, French speakers in Canada, Hungarian speakers in Slovakia - and hundreds more - are linguistic minorities.

And totally stateless languages are the native languages of some of the world's most intriguing, little-known, cultures. Like the Lapps inside the Arctic Circle, the Sards in Sardinia, Ainus in Japan. Cherokee in the US, Scots Gaelic in Britain, Friesian in the Netherlands, Zulu in South Africa. There are only a couple of hundred recognised sovereign states and territories, so more than 5,000 languages are the native tongues of linguistically stateless people.

How could I help?

You don't need to learn an endangered language - any more than go to live in the rainforest to help slow its destruction.

A good start is to just tell friends about websites like this.

Broader public interest makes it easier for linguists to raise funds and organise people to learn these languages while there's time.

That's right. There are people who love languages and are happy to learn them on behalf of the rest of us, but they need support, just like zoologists, botanists, or historians.

Fewer languages still sounds good to me

Depends what you think languages are for. They're not just a tool for business. We never said you should learn three or four thousand rare languages - or even one. And which ones we make children learn in school, or whether we should force children to learn languages at all, is another question.


Typical scene in a European city; Chances are, folk here speak some sort of foreign language *5

A century ago - before we understood ecology, and when we cared less about wilderness, most educated people would have laughed at the idea of worrying about plants or animals going extinct. Now we understand how important species diversity is for our own futures, we are more humble, and more worried.

In the same way, linguistic triumphalism by English-speakers who hated studying foreign grammar at school is dangerously ignorant as well as arrogant. Few of us know what we are losing, week by week. How many people realise these languages have scientific value?

Scientific value?

You can think of these languages across the planet as beautiful cathedrals or precious archeological sites we are watching being destroyed. That should be motive enough.

But these five thousand languages may also hold clues to the structure of the human mind. Subtle differences and similarities

Wireless radio can be a great comfort to those unable to leave the textbooks in which they live *6
between languages are helping archeologists and anthropologists to understand what happened in the hundreds of centuries of human history before written history. And that is one of our best chances of understanding how human brains developed over the thousands of centuries leading up to that.

Study of the mind and study of language go hand in hand these days. The world's most marginal languages are actually precious jigsaw pieces from an overall picture of who we are and how our species thinks and evolves. Every tiny language adds another brightly-coloured clue to this academic detective story.

Yet researchers have hardly started sifting through this tantalising evidence, and language extinction is washing it away right in front of us.

And worst of all, most people have no idea that there is this fantastic profusion of cultures across our world, let alone that they are in danger of extinction. Even just more people learning that there are still five thousand living languages in the world today (most of us would answer five hundred or fifty) is already a huge help.

We English-speakers hardly notice English - it's like air for us. But every other language is also an atmosphere for an entire cultural world, and each of these worlds has people whose home it is. Each language encapsulates a unique way of talking and thinking about life. Just try some time in a foreign prison, being forced to cope in another language, and you'll realise how much your own language is your identity. That's true for everyone.

Minority languages are a human-rights issue?

One of the most basic.

Dozens of millions of people worldwide suffer persecution from national governments for speaking their mother tongue - in their own motherland.

Many 'ethnic' feuds puzzling to outsiders had as their basis an attempt to destroy a linguistic community. Would the Northern Ireland dispute be quite so bitter if we English had not so nearly stamped out the Irish Gaelic language, for example? Almost nowhere in the world does a language community as small as the few thousand Rheto-Romanic speakers - the fourth official language of Switzerland - get the protection of a national government. Next time you see some Swiss Francs, check both sides of the banknote.

But outside exceptional countries like Switzerland or the Netherlands, speakers of non-official languages have a much less protected experience.

Speakers of minority languages are often seen as a threat by both the governments and the other residents of the countries where they were born, grew up, and try to live ordinary lives.

They experience discrimination in the job and education markets of their homelands, often having no choice but to pursue education in the major language of the host state - a deliberate government policy usually aimed at gradually absorbing them into the majority culture of that country.

Mighty oaks from tiny acorns grow, of course *7

Most governments are privately gleeful each time another small separate culture within their borders is snuffed out by a dwindling population or a deliberately centralising education system.

The United Nations is no help. It is an association of a couple of hundred sovereign states based on exclusive control of territory, almost all of them anxious to smother any distinct group or tradition that in any way might blur or smudge the hard-won borders around those pieces of territory.

The usual approach by sovereign states is to deny their linguistic minorities even exist.

-

Mark Griffith, site administrator / contact at otherlanguages.org

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*1 image from , with thanks
*2 "Al-Araby" in written Arabic (read more)
*3 "What?" in American Sign Language; image from , with thanks
*4 "Big" in written Chinese (read more); image from , with thanks
*5 image from , with thanks
*6 image from , with thanks
*7 image from 'B?ume', with thanks to Bruno P. Kramer, and Franckh-Kosmos Verlag

useful:

.languages of the world
.Internet free speech
.weights & measures
.5000 English words
.2000+ Chinese char.s
.persian/english dictionary
.currency rates 1 2 3 4 5

other web diaries:

.enigmatic mermaid
.languagehat
.billy
.francis
.samizdata
.patrick
.rainy day
.varangy
.diaries abroad
.hereinside
.samuel pepys
.hasanpix
.ehsan
.cora
.mychronicles
.openbrackets
.whump
.sargasso

also useful:

.country domain names
.language-learning 1 2
.find old websites
.fine HTML tutorial
.webhost
.minimalist websites

reviews: .................

books {...or films here}

1 metrologie historique
2 postmodernism & the other
3 disaster (news on sunday)
4 money unmade (russian barter in the 1990s)
5 the sleepwalkers
6 e
7 the kruschev era
8 the end of science
9 don't you want me?
10 the carpet wars
11 zelator
12 life of thomas more
13 faber book of science
14 gilgamesh
15 out of it
16 guns, germs & steel
17 words & rules
18 figure in the landscape
19 life without genes
20 bede's history of the english
21 the nothing that is
22 zoology
23 journey by moonlight
24 heavenly serbia
25 ratkay endre
26 the handmaid's tale
27 the selective eye
28 a megismerese epitokovei
29 intention
30 thirty nine steps
31 princess
32 the pyramids
33 the etruscans
34 moonchild
35 paradise news
36 culture of time & space 1880 to 1918
37 szimmetria
38 babel orokeben
39 astro-archeology
40 a history of islamic spain
41 high gothic
42 among the believers
43 the renaissance
44 augustine
45 mcvicar
46 atomised
47 tangled wing
48 da vinci code
49 nature via nurture
50 termeszet szamai
51 decline & fall of roman empire
52 practical cheesemaking
53 the sufis
54 fra angelico at san marco
55 the cryptographer
56 they have a word for it
57 szamok valosan innen & tul
58 artistic theory in italy 1450 to 1600
59 darwin's black box
60 indiai ejszaka
61 cleopatra: histories, dreams & distortions
63 what mad pursuit
64 language, the learner & the school
65 writing the romantic comedy
66 the blank slate
67 dougal & the blue cat
68 diego velasquez
69 horse nonsense
70 a certain chemistry
71 deterring democracy
72 textiles
73 thief of time
74 bloodsucking fiends
75 right ho, jeeves
76 generativ grammatika
77 1st time i got paid for it
78 galapagos
79 othello
80 understanding media
81 mysticism
82 short history of french literature
83 best on the market
84 art of seeing
85 culture & imperialism
86 food of the gods
87 arabic-islamic cities
88 the alchemist
89 verbal learning & memory
90 building a successful software business
91 don't make me think!
92 memory
93 the u.s. & the arab world
94 hard times
95 spells for teenage witches
97 the pig that wants to be eaten
98 encyclopaedia of stupidity
99 seventy eight degrees of wisdom: part i
100 beach watching
101 the ancient greeks
102 brainstorms
103 seventy eight degrees of wisdom: part ii
104 utopia
105 technical writing for engineers & scientists
106 alphabet versus goddess
107 writing on drugs
108 news from somewhere
109 isp survival guide
110 petrus hispanus mester logikajabol
111 art of seduction
112 stet
113 penguin by design
114 the sense of being stared at
115 the golden ratio
116 dinamikus emlekezet
117 margins of reality
118 hopjoy was here
119 bump in the night
120 box of delights
121 color atlas of immunology
122 fashionistas
123 pi in the sky
124 a new kind of fool
125 one man's meat
126 greek fire
127 the buddha in daily life
128 beginner's dutch
129 private life of the brain
130 solar ethics
131 pedant in the kitchen
132 knots
133 the planets within
134 encyclopaedia of ancient & mediaeval history
135 consilience
136 the age of scandal
137 fashion: the 20th century
138 the tipping point
139 design literacy
140 the silent partner
141 hamlet
142 1421
143 the 1890s
144 godel's proof
145 rosencrantz & guildenstern are dead
146 beyond reason
147 little book of music theory
148 q-basic
149 alone of all her sex
150 social studies
151 eternal darkness
152 drawn from memory
154 a guide to elegance
155 medea & other plays
156 the future of money
157 cheese
158 grammars of creation
159 aquarian conspiracy
160 the climate crisis
161 true fiction
162 the making of memory
163 why most things fail
164 genetikai abece
165 finding fulfilment
166 genome
167 the broken estate
168 inigo jones
169 flashman & the dragon
170 from bauhaus to our house
171 100 great paintings
172 kis spanyol nyelvtan
173 the historian
174 tomorrow's gold
175 charting made easy
176 life after life
177 spanyol igei vonzatok
178 the eclipse of art
179 fire in the mind
180 the human body
181 out of control
182 possession
183 simplified chinese characters
184 the generation of 1914
185 intellectuals
186 world of late antiquity
187 riddle & knight
188 informacio kultusza
189 napoleon of notting hill
190 secrets: palm-reading
191 meet yourself as you really are
192 cat's abc
193 intro to spanish poetry
194 rise of christian europe
195 philip's guide to electric living
196 sins for father knox
197 celtic twilight
198 myths of love
199 snobbery with violence
200 just like tomorrow
201 7 basic plots
202 experiment with time
203 vile bodies
204 icons & images: 60s
205 fisher king
206 new jerusalem
207 born on a blue day
208 surveillir & punir
209 trial of socrates
210 how to catch fairies
211 conversations on consciousness
212 mind performance hacks
213 conscience of the eye
214 beau brummell
215 evolution
216 the outsider
217 raja yoga
218 rise of political lying
219 occidentalism
220 colossus
221 secret teachings of jesus
222 blue murder
223 nostrodamus the next 50 years
224 homage to catalonia
225 charity ends at home
226 palace of dreams
227 discovering book collecting
228 beyond the outsider
229 the last barrier
230 that hideous strength
231 indian sculpture
232 small world
233 evolution & healing
234 in search of memory
235 campo santo
236 llewellyn's 2007 tarot reader
237 dream of rome
238 why buildings fall down
239 the empty space
240 england made me
241 greek science in antiquity
242 science, a l'usage des non-scientifiques
243 utmutato tarot
243 hunt for zero point
244 william wilberforce
245 viktor schauberger
246 untouchable
247 the vitamin murders
248 straw dogs
249 elizabeth's spymaster
250 the hard life
251 the god delusion
252 the intellectual
253 undercover economist
254 quirkology
255 chasing mammon
256 early mesopotamia & iran
257 the strange death of david kelly
258 the pilgrimage
259 origin of wealth
260 maxims
261 the finishing school
262 the shepherd's calendar
263 islamic patterns
264 lost world of the kalahari
265 german short stories 1
266 electricity
267 liber null & psychonaut
268 born to rebel
269 wittgenstein's poker
270 will the boat sink the water?
271 romeo & juliet
272 why beautiful people have more daughters
273 the crossing place
274 the turkish diplomat's daughter
275 missionary position
276 lust in translation
277 teaching as a subversive activity
278 how german is it
279 empires of the word
280 warped passages
281 the power of now
282 ponder on this
283 sword of no-sword
284 narcissism
285 blink
286 shock of the old
287 basque history of the world
288 truth: a guide
289 who shot jfk?
290 newtonian casino
291 power & greed
292 the world without us
293 5-minute nlp
294 concise guide to alchemy
295 evidence in camera
296 4-hour work week
297 the rosicrucian enlightenment
298 de-architecture
299 how to lie with maps
300 a book of english essays
301 a time of gifts
302 the occult philosophy in the elizabethan age
303 le pelerinage des bateleurs
304 alchemy & alchemists
305 greenmantle
306 the hero with 1000 faces
307 goethe's parable
308 rhedeyek es fraterek


films ..................................

1 k-pax
2 very annie mary
3 wasabi
4 gosford park
5 arany varos
6 minority report
7 amelie
8 bridget jones' diary
9 arccal a fo:ldnek
10 monsters' ball
11 cube
12 man with no past
13 talk to her
14 szerelemtol sujtva
15 bowling for columbine
16 matrix3
17 zoolander
18 anything else
19 farenheit 9/11
20 8 & 1/2 women
21 madagascar
22 kill bill 1
23 dude, where's my car?
24 the woman in green
25 the hunger
24 nightwatch
25 de battre son coeur s'est arrete
26 wicker man
27 v for vendetta
28 courage the cowardly dog
29 casino royale
30 power of nightmares
31 charlie's angels
32 full throttle
33 foxy brown
34 paths of glory
35 airplane
36 between iraq & a hard place
37 mutiny on the bounty
38 flashmob the opera
39 octopussy
40 bakkerman
41 kiterunner

....................................................................................................................................

February 28th; Rikke kindly comes almost straight off her train to take Wilma the puppy back into the Norwegian dog-loving vet-student community, so that I can have a carefree afternoon at Martin's enjoying his and Klara's fine cooking with a host of other friends at a lunch that stretches until 6pm. From there on to a lovely dinner with Terri & Alvi that goes on until late as we natter about various topics. Meanwhile: typical scene at villa in Buda hills.
February 27th; The chunks of frozen snow washed away four or five days ago in a week of rainy weather. Today starts off rainy too, and I take Wilma the puppy downstairs at 7am to relieve herself, but she is having none of the nasty wet weather and frowns at me crossly before scampering back up the steps into my dry apartment building. By lunchtime, though, real warm weather starts. Sun comes out and it no longer feels chilly. For people who really like this website's colour scheme, some Alan Charlton paintings: A rather sober 'Untitled' triptych, a soothing set of identical canvases, some more of that sort of thing, and in case that was too busy and cluttered, a more restrained painting, also 'Untitled'.

February 26th; Friday. Wilma the pug puppy is a busy soul with a strong personality. Unlike the previous two dogs, Wilma takes exception to the rain and even to walks as long as going round the block. She would much rather race around a comfortable, dry apartment getting me to tug various of her toys she is hanging onto with her teeth. She seems intriguingly unconcerned about pissing in my flat, but I suppose she is a puppy, and anyway, the floor is tiled. Takes me one day to train her to always urinate on the begging magazines I get sent by Clare and Cambridge. Wilma likes my sofa and seems to find the flat quite an interesting place on balance. She likes that there is much to sniff and chew, though whimpers and squeaks crossly if I am boring and do not play enough with her.
February 25th; Thursday. Lunch with Wilma and Mystery Friend 2 at Iguana. We briefly mention Otto Weininger. Meet Eve of Budadogs to hear about her ambitious photographic-memory training course. Then later to an anthropology talk with Dorina where the lecturer describes a study visit to Iceland.

February 24th; Wednesday. After pub quiz on the team with Inese, Jill, & Jooa {once again we come fourth to last, but all the teams score many more points than two weeks ago}, I meet Inger to pick up her pug puppy Wilma for four nights. Wilma is one of the famous Smuggled Puppies that entered Norway with papers "not in order", so are waiting a few months outside Norway before attempting to re-enter.
February 23rd; Tuesday. To Mystery Friend 2 for curry and a watch of the director's cut of 'Apocalypse Now' with Martin & Edith & Edith's dog Simon. Intriguing to see some new scenes that were not in the film I saw alone on a 6th-form History outing where everyone else, including the teacher, failed to turn up at the cinema. The French dinner scene was appalling. Sheen's wild-eyed stare which for most of the film successfully conveys "What am I doing in this ghastly war?" somehow imperceptibly slides during this meal into conveying "What am I doing in this ghastly scene?" Much of the up-river weirdness is suggested by use of coloured smoke. Watching this film again right through for the first time in three decades, and able to compare it to Conrad's 'Heart of Darkness', I am struck that something unintended happened with the film. On the surface, like Conrad's novella, it indicts Western imperialism and colonialism. Yet somehow Coppola's film, while working to make American civilisation look weak, hysterical, and hypocritical, accidentally says something revealing about the local culture. This undercuts all the surface images of rich Americans bombing poor Asians which signal The Message of The Film. Colonel Kurtz's ultimate sin is going beyond the bounds of decency in a crazy war, and this really means he went native. His closing speech about the Viet Cong amputating the arms of some vaccinated village children, and him 'realising' the US needs to fight the war in the same way, is supposed to make him sound like a deranged Nietzschean. Actually it lets slip that what he was really guilty of was descending from impersonal, industrialised brutality to more personal, Oriental viciousness. The monstrous regime of the Khmer Rouge in Cambodia, as well as atrocities by the Vietnamese without US involvement, show this difference. As low and nasty as the smug, cowardly US war effort was, their local opponents were clearly even lower and nastier. The heart of darkness is in the dark continent after all, an extra layer of subtlety Conrad's work hints at better than Coppola's.

February 22nd; Monday. Finish a book called 'Mind Wide Open' by Steven Johnson, who seems to be tring to build a franchise as the thinking man's Malcolm Gladwell. Disappointing read. Bits start promisingly, but most of it seems to just repeat what we all knew from a handful of science articles 15 years ago, padded out with a sort of waffly watered-down gonzo journalism. So Johnson does Simon Baron-Cohen's mood interpretation test, looking at lots of photographs just of pairs of eyes. Johnson is rolled inside a brain scanner, and describes how claustrophobic it is. Johnson tells us a storm blew in the window of his Manhattan apartment, and his amygdala has made him nervous about windy days ever since. Likewise, being in New York on 2001 September 11th has made him nervous about days which aren't windy, but have clear blue skies. I was stunned when he refers respectfully to Eric Kandel, whose tedious tome about the wiring of sea slugs and pompous recounting of what he said at his Nobel Prize ceremony clearly formed part of Johnson's crash reading list for this book. Even more startling, like Kandel, he cannot produce a book like this without mentioning Freud. The 30-page conclusion, unbelievably, is all about Freud's theories and the tiny areas where they seem to overlap with postwar neuroscience findings. Johnson once mentions Nietzsche and Schopenhauer without apparently realising that they, not Freud, created our view of the fragmented self and the subconscious. Then he discusses each of Freud's ideas, again and again saying things like "this part of Freud's scaffolding got it wrong" without apparently bringing together his own remarks to see that all of Freud's contributions were wrong, and the only parts where his beliefs still resonate today came wholesale from the two German philosophers. As modest authors nearly say, all the worthwhile bits of psychoanalysis were actually taken from Sigmund's predecessors, while all the mistakes were his alone. This much is obvious early in the book, if it was not already obvious early last century. Traumas are not weakened by being talked about, they are strengthened. The subconscious is not censoring suppressed memories and hiding them from the conscious mind - the researchers Johnson has coffee with show it is precisely the other way round. The mind's modules are nothing like the ones the Viennese doctor imagined, and they're not built largely around sex. And so on. Who even mentions Sigmund now? The conclusion might have been an idea of his publisher, or of Johnson himself, but America's inability to let go of Freud must be the equivalent of Europe's inability to let go of Marx. And then, every time we get to an interesting moment, like his mention of 'rejection sensitivity', we soon swerve back to Johnson's self-indulgent prose instead of saying anything new. Each hormone, brain region, mood alteration drug seems about to get interesting, but never does. I suspect Johnson just can't think of anything of value to ask experts when he meets them. The footnotes {why stuffed at the back?} are more interesting than the book itself, which is really a kind of extended magazine article.
February 21st; Sunday. Work on e-summary for book.

February 20th; Saturday. Seems Regina can help me with iPhone programmers.
February 19th; Brunch with Martin. Start 'Memo'.

February 18th; Bobbling round town by tram & metro, I finish the agreeably slim book Rob kindly gave me, 'Neuroscience & Philosophy', made up mainly of a slightly tetchy exchange of views between Maxwell Bennett & Peter Hacker in the blue corner, and Daniel Dennett & John Searle {on the same side for once} in the red corner. To sum up, Bennett & Hacker argue for the Wittgensteinian view that philosophers are therapists of linguistic confusion, and that many neuroscientists make category errors with sentences like "the brain remembers..." and so on. Dennett defends his not unreasonable emergent-property view that modules in the brain do a simpler version of whole-person thinking, simpler at each level down, until it makes sense to speak of groups of neurons {or thermostats} doing a kind of primitive thinking or believing, out of which higher properties are assembled. Dennett says Hacker reminds him of Oxford in the 1960s, whereas he reminds me more of Cambridge in the 1930s and Oxford in the 1940s, not that I was at either place at any of those times, of course. Dennett also snidely refers to "St. Ludwig". Good to see that some irreverence for The Master is finally allowed, since it wasn't kosher in the 1980s - I remember that much. Searle responds a bit less huffily to the Hacker attackers, and more expertly skewers Wittgenstein's breath-taking claims about conditions for the use of verbs being the main criterion for judging what entities there are. Later in the afternoon, more time on public transport lets me finish Frances Yates' 'The Art of Memory', a history of artificial memory techniques as interpreted by Renaissance thinkers from Thomas Aquinas to Gottfried Leibniz. Yates has some quite startling insights, bringing us a mnemonic dimension to Dante's 'Inferno', to Llull's revolving logic discs, and to Giordano Bruno's audacious cosmology. In a curious digression, she argues that Robert Fludd's discussion of a 'memory theatre' gives us the best clues we have available as to what the Globe theatre where Shakespeare's plays were performed looked like.
February 17th; Over a Chinese-restaurant lunch, a friend urges me to visit Hungary's 'heart chakra', the Dobogoko of course. Think I shall.

February 16th; Continues to hint at a thaw, but every road still lined by knee-high ridges of chunky white frozen stuff. On Saturday, leaving Mariannpsy's flat, I saw in their yellow-tiled apartment-block courtyard a thalidomide snowman with no arms, but still a solid four-foot-high torso and head. The neck still wore a scarf of copper-coloured tinsel, and a surprisingly shiny and new-looking inverted saucepan sat on the featureless head as a hat or helmet. Judging by continuing temperatures around zero, that snowman is probably still much as I saw him three days ago. Three miserable artworks by the unusual but clearly very unhappy 60s minimalist Eva Hesse: Hang up / Ingeminate / Untitled. Finally, I get round to it, and make those angel/fairy/whatever cakes.
February 15th; Monday. Song by Soopasoul Brand Nu: "Never forget how I helped you hide from The Man.... Who was the one that kept your name all good in the hood?" Ah, the cruelty of men. Superior mix of Filur's I-Want-You number by Goldtrix.

February 14th; Sunday. Wake up with my head full of spirals from last night's two small glasses of beer & two very small glasses of some sneaky cocktail. Finally I roll out clay ready to air dry before going in Timea's kiln in a few days. Order two books about Giordano Bruno. Quoting songs like this, people often write "You know who you are" ...but come to think of it, you probably don't.
February 13th; Saturday. Eszter's friends reconvene at Sandokan bar for her birthday & even more imminent departure to Brussels. Mystery Friend 2 gives me two shot glasses of some lethal mystery cocktail they prepare behind the bar, and evening at once becomes confusing.

February 12th; Friday. Long, tiresome day that ends well. Around 2pm am almost killed or crippled on icy country road when an irate Georgina driving the green Benz {with three of her children in it} tries to ram the blue Benz containing Robin & myself off the road. Very Steve McQueen. Later at 9pm back in Budapest pop along to my first ever speed-dating event, hosted by Howard, at the same bar as Wednesday. Surprisingly good-looking people turn up. I enjoy the event a great deal, noticing everyone is nervous except me - close encounter with grim reaper this afternoon puts other challenges in proportion.
February 11th; Thursday. Up early for train to Kecskemet, from where Robin picks me up for our mission to Serbia. In one bleak spot, an open, snow-covered plain blends with thick white skies. We find some of his artworks at the rectory in the remote village, meet the priest, and have drinks with Vince, who tells us of his book detailing "All my lovers, all my fuckers, everything!"

February 10th; Wednesday. Sunspot 1046 looks busy too. Evening at Howard's pub-quiz event, in a team with Jill & Inese. Considering there are only three of us {other teams have 4 or 5 people in them} we do well to not come last or 2nd last {we come 4th last, and 6th or 7th from top place}, and I feel very smug for knowing that Lichtenstein is, or used to be, the world's leading exporter of dentures.
February 9th; Tuesday. Back in Budapest in time to meet Martin for a philosophy talk given by Konrad Talmont-Kaminski. Very interesting - about defending misbeliefs from experience. Wine & salty nibbles afterwards with the philosophy folk. Then to Martin's for a delicious dinner with lots of Eszter's French-speaking friends.

February 8th; Sunspot 1045 is apparently very large & active.
February 7th; Robin & I drive in the snow to church for the afternoon service at 3pm, but find it empty and locked, with the large Xmas pentacle still on the side of the belltower. We drive on to Nagyrev, site of the famous epidemic of husband-poisoning before World War One. There we get to the vicarage, find it empty too, facing another larger church also quiet and dark, with no footprints in the thick snow leading up to the closed door. We drive around, stop off at a bar made dismal by - Robin points out - the use of grey mortar for all the internal brick and tilework. Driving out again, we chance on the vicar and he gives Robin a CD with three films on it. Later on, we visit Pisti at Tiszainoka in his pink room to pick up some more films.
Late at night I finish Robin's copy of a book called 'Arts of Darkness' by Thomas Hibbs. This is a curious review of American 'film noir', from the 1940s American movies first given that name, stretching through 'neo-noir' and 'sci-fi noir'. Hibbs says that film noir's sense of claustrophic hopelessness - where a central character goes on a quest, often misguided, often leading him or her to become increasingly entrapped in a web of doubt and guilt - asks important questions about modern alienation. Hibbs' main idea is that the best philosophical guide to this perplexity and darkness is not the existentialists or Nietzsche, but Pascal, the French philosopher, theologian & mathematician he quotes throughout. Pascal speaks of a hidden God, and expresses spiritual misgivings that undercut the Enlightenment project of science and rationalism. Hibbs see these misgivings echoed in movies from 'The Maltese Falcon' to 'Blade Runner'. He points out that many directors unaware of Pascal claim they were influenced by T.S. Eliot's 'Wasteland', itself strongly influenced by Pascal. Despite some odd typos {on page 207 he writes 'bribes' when he means 'blackmails'} the review of fifty or so movies is enjoyable, and convincing in parts. A lengthier comparison of Hitchcock and Greene would have been interesting, since both are arguably much more important for the genre and cinema in general than most of the titles he leaves in, and the prolonged discussion of 'Buffy the Vampire Slayer' doesn't quite persuade, but overall the book is worth reading. Two complaints would be that 1) the film descriptions sit separately and fail to quite form an overall argument, and 2) despite references to 'America' the book glides past the thought that film noir might describe a set of social problems distinctive to the US. The idea that damage to traditional social customs & structures might be the root of both film noir's angst and Blaise Pascal's 17th-century worries never crosses Hibbs' mind. To compare twisted plots about dark rainy streets and cynical femmes fatales with the agonised theology of Europe's century of religious wars clearly strikes the author as quite a daring step already. Yet it is not much further to note two more links. Both the United States of the film noir genre and the France of the critics that named it are cultures heavily involved with moving pictures. They are also societies that repeatedly insist they remade themselves afresh from a clean slate just one and a half lifetimes before Hitchcock's birth.

February 6th; We pop over to Tiszafoldvar and I buy some nails & a rolling pin in a cramped hardware store. A small dog dozes behind the counter, curled up comfortably in a single plastic shopping basket.
February 5th; I hear how Georgina's latest car crash happened on the icy, snowed-up country road just as she was driving fast to the village with divorce papers. Once the car turned over, and she got out unscathed, the divorce documents had disappeared and are probably still hidden, waiting in the ditch to reappear once the snow melts. Markets react nervously to Greek, Spanish, and Portuguese debt worries.

February 4th; Train down to Robin's in daylight. Huge sections of open plain covered in thick snow, lines of shrubs & fencing separating fields smothered or blurred, until sections look like vast white lakes, brighter than the pale grey sky above them.
February 3rd; Biology lesson with Exotic Girl 1.

February 2nd; Lunch at Martin's with Exotic Girl 1. Martin, while talking about Spanish/Catalan cuisine, makes a wonderful pudding which he calls a failure.
February 1st; Leisurely squiffiness with Rob. My 1st homework: the circle of fifths.


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