Babylon A.D. director Mathieu Kassovitz evidently hates his own movie.
Kassovitz's version of the futuristic sci-fi action pic starring Vin Diesel (pictured above, left) got recut by 20th Century Fox, and the French filmmaker is pretty steamed. The final version of the movie, which opens Friday, leaves most of the flick's political commentary on the cutting-room floor, Kassovitz told AMCTV.com.
"I never had a chance to do one scene the way it was written or the way I wanted it to be," he complained. "The script wasn't respected. Bad producers, bad partners, it was a terrible experience."
Kassovitz is hardly the first arty European filmmaker to get entangled with a mangled movie. Ridley Scott famously waited 25 years to realize his vision for Philip K. Dick's noir thriller with the Blade Runner: The Final Cut DVD. But the original 1982 movie -- though manhandled by financiers after Scott went over budget -- was hardly a total stinker. Still, a long line of independent-minded filmmakers have butted heads with studio execs, only to emerge with a big-budget train wreck.
Here's a look at good intentions gone haywire in Hollywood.
Aeon Flux (2005)
It made sense on paper: Charlize Theron, fresh from an Oscar win, taps Karyn Kusama, director of the gritty Michelle Rodriguez boxing movie Girlfight, to make a tough chick flick on a larger scale. Instead of a character-driven action spectacle, Kusama produced a chilly flop.
Photo courtesy Paramount
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